For That Knee Alone

Most people think learning history is boring, somethingthe curious. Michelangelo left strict orders that no
required in school and then promptly forgotten, likevisitors were to be allowed in the Sistine Chapel.
algebra. But, those people never had a history teacherMichelangelo, busy as a bee himself, consumed with a
who knew the little stories, and the little stories thatdaunting task, apparently had little interest in the work
make history interesting. For me, art history is not justof Raphael.
looking at pretty pictures with pretty colors; it is also aBut Raphael had an interest in his. He paid a secret
large body of knowledge about the culture andvisit aided by the pope to view the chapel ceiling in
customs of real people. I was fortunate to learn fromprogress. So profoundly did it affect him that he
a number of gifted art historians, no, really storytellers,returned to his work in the Stanza della Segnatura, the
as teachers. This is one of those little stories.private library of the pope, where he proceeded to
Italian Renaissance giants Michelangelo Buonarroti andpay tribute to Michelangelo by incorporating a seated
Raphael Sanzio had an unspoken competition. Thefigure of Michelangelo in the foreground of his
irascible Michelangelo, forced by Pope Julius II intomasterpiece fresco, The School of Athens.That is only
painting the ceiling of his own private chapel, the Sistinethe background for this little story.
as we know it, complained that he was not a painter,Perhaps not so well known then as his Madonnas or
but a sculptor.his magnificent Vatican frescoes, Raphael Sanzio also
This complaint fell on deaf ears as the pope had aexecuted a stunning fresco of The Prophet Isaiah in
war to fight and neither time nor patience for soothingSant Agostino in Rome in 1511-12. The donor patron of
the artistic temperament. If the tale is true, the popeIsaiah was Head Chancellor of the Papal Court,
had even less patience for seeing that the artist wasJohannes Goritz of Luxemburg.
paid. Food being a necessity, this was a bone ofRuffled by what he considered to be an exorbitant
contention between artist and patron. Raphael, on theprice for the painting by Raphael, Goritz solicited
other hand, blessed with a much more affableMichelangelo for his opinion of its worth. Michelangelo
personality, never seemed to lack for funds, friends, orlooked at the painting of his chief rival with its
food.powerfully rendered figure of the prophet. Rarely one
Both artists were occupied with the private artisticto acknowledge the genius in others, Michelangelo
visions of the pope in the Vatican simultaneously.Thesimply replied, 'For that knee alone, it is worth the price.
work of Raphael in the Vatican Stanze was open to